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Creative Destruction
Griffintown Self Suite
Club Ami — Les manœuvres de la côte
Over 2022 and into 2023, along with other artists Maude Arès, Damián Birbrier and Adam Kinner, I took part in visits and workshops at Club Ami in preparation for their 40th anniversary exhibition at Maison de la Culture de Côte-des-Neiges. I noticed early on how the staff and members of Club Ami were negotiating around this project with great care and generosity the delicate puzzles of the past and the present, history and urgency, and the tensions around representation. My contribution was the Big Book, a device that could simply function as a series of surfaces to accommodate an archive of old and new work of various members. It was made of repurposed electrical conduits, textiles, caster wheels and wood.
Details below…
Credos IV
CREDOS IV
Credos IV is a book-as-exhibition, the fourth in an ongoing series of displays of artworks that elaborate on notions of belief (see below). It was launched February 3rd, 2022 at articule artist run centre.
The 5 inch by 8 inch books are 150 pages in black and white with colour inserts. Each comes with handmade hardwood frames, individually covered in textile, which the books can easily slip in and out of (back and front covers offering different choices of image by the painter Mina Hedayat). Credos IV can be hung on a nail or fit on a shelf, and look nice on their own or in clusters. They come in a numbered edition of 200.
With contributions from Lea Cetera, Mina Hedayat, Craig Leonard & Michael Fernandes, Jones Miller, Pak Sheung Chuen, Jeanne Randolph, Alessandro Rolandi, Jamie Ross, and others.
They are priced at $30 and can be found at the following locations, with more distributors forthcoming:
Articule (Montreal)
Art Metropole (Toronto)
Axenéo7 (Gatineau)
Canadian Centre for Architecture bookstore (Montreal)
La Fonderie Darling (Montreal)
Librairie le Port de Tête (Montreal)
Verticale — centre d’artistes (Laval)
Credos is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown, Prince Edward Island, and shown in the frame of the all-day public art festival “Art in the Open” in 2020. An 8-hour online radio program was broadcast alongside the tabletop displays.
Credos IV is also a response to social distance, but at the same time a furthering of an inquiry into the substitutions and translations of an exhibition into non-gallery spaces.
See more about previous editions here.
published Ferbuary 17th, 2022
Crépuscule Blanc
The exhibition “Crépuscule Blanc” took place at the print studio and gallery space Presse Papier in Trois Rivières, Québec in early 2021. It featured mixed media printmaking and drawings on found satellite dishes.
The prints depict the cover and spreads from a fictional issue of an outdated TV Guide-type magazine. The series of satellite dishes show origin stories and narratives about the self as if received from afar.
published September 1st, 2021
Call for Submission
(photo Michael McCormack)
The below text was included in a zine called “Preposterous Portability,” put together by Hannah Jickling and Helen Reed’s class at the School Of Visual Art (SOVA) in Dawson City, Yukon, in dialogue with the “Readymade Institution” class instructed by Michael McCormack and Michael Eddy at NSCAD University. Hannah and Helen’s class collected the contributions that addressed the theme of portable and alternative gallery space (as did our course), and assembled them into printed form with a limited run, including screen-printed covers, in February 2021.
published April 14th, 2021
Sound Research of China
(2010)
The audio drama “Sound Research of China” (Michael EDDY, KANG He, 李增辉 LI Zenghui) is composed of episodes from research into the makeup of the sound environment of Beijing. The process consisted of many outings as a group into the streets of Beijing and following and questioning the sounds that we identified as “characteristic” of life in China, and of the relation of sound to life there. Working as a unit of three “specialists,” each of our backgrounds informing our manner of recording, analyzing and editing the source materials, we pursued the sounds in various ways to see how they might compose their own narrative and drama.
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“Sound Research of China” was a component of Vitamin Creative Space‘s participation and resulting in the installation in the “Structural Integrity” project in Melbourne’s Meat Market for the Next Wave festival.
Knowles Eddy Knowles’ sculpture “the Holding Environment, v. 2” hosting the audio series “Sound Research of China” as well as a video by Chinese artist Zhou Tao, within the Vitamin Creative Space exhibit in the Next Wave Festival.
Sound Research of China episodes
Park:
Calling:
Dongfanghong #1:
Dongfanghong #2:
Music:
published March 13th, 2021