Or stream below:
photos by Elizabeth Wendt.
published September 30th, 2020
Or stream below:
photos by Elizabeth Wendt.
published September 30th, 2020
Here is a page added for the Credos project, which just had to be postponed: http://www.conceptualyouthhostel.net/credos/
published March 31, 2020
This is a project of table top exhibitions held in church bazaars. The invited participants are artists and writers whose work has engaged with belief in various ways. Many of them have dealt with their own personal experiences of organized religions, but without staging a rejection or a celebration. Rather, there is a translation process involved.
The desire to hold these 2- or 3-person table top exhibitions in bazaars stems from a project I had organized with others at HomeShop, which was a series of interventions in the Farmers Market in Beijing called “True and False”. In Montreal, I felt the church bazaars held a similar potential for art works to rub against and settle beside a variety of other value scales. Of course, there are diverse publics, the most basic of types being those who are there for the church and those who show up primarily for the art. However, in either case, the work is discussed and introduced by the presenters, and so a negotiation has already started. There is a plurality of entry points in the selected works, and so interactions over the table can be unpredictable and yet down to earth.
This project remains unfinished. Its first two iterations took place in cooperation with the artist-run centre Verticale in the city of Laval, Québec in November 2019. The next two iterations were planned for April and May 2020, with Verticale again, and with articule artist-run centre. The series has not been cancelled, but is on hold due to the COVID-19 pandemic. Though all art exhibitions, as well as any other social activity, are and will be affected by the outbreak, it seemed poignant to think about the depth of this crisis for religious and spiritual gatherings. Churches and many other places of worship serve an older demographic that is especially vulnerable to the worst of the coronavirus. So it may take a while, or may take a different form, to finally realize this project.
The first edition of Credos was held on the first weekend of November 2019 at the Armenian Evangelical Church of Montreal in Laval. On display were:
Opioid Wall Book by Cliff Eyland (drawings)
non-visible by Asako Iwama and Derrick Wang (video)
Stretching Exercises by Michael Fernandes and Craig Leonard (book)
Visitors were invited to contribute a translation of the instruction poetry in Stretching Exercises.
The second edition of Credos was held on the last weekend of November 2019 at the Armenian Community Centre of Laval. On display were:
Earrings by Mina Hedayat (wearable objects)
Painting Hijabs by Mina Hedayat (paintings)
Plant Hijabs by Mina Hedayat (sculpture)
Stretching Exercises by Michael Fernandes and Craig Leonard (book)
A presentation by Michael Eddy on the origins of the Credos project.
A lecture by Vincent Bonin on the work and life of Michel Journiac.
See more at Credos 3
library
2017
printing ink on paper
91.4 cm x 81.2 cm
t-shirt
2017
printing ink on vellum
71.7 cm x 68.5 cm
The young George
2018
printing ink on tyvek
100 cm x 70
tsarnaev.biz
2018
printing ink on tyvek
60 cm x 91 cm
Crossing
2017
printing ink on paper
99 cm x 91.4 cm
Wedding
2017
printing ink on paper
91.4 cm x 76.2 cm
non ultra sapere quam oportet sapere (know no more than it is necessary to know)
2018
printing ink on paper
62 cm x 101 cm
non ultra sapere quam oportet sapere (know no more than it is necessary to know)
2018
printing ink on coloured polyester film
62 cm x 200 cm
Tattoos (printing element)
2017
styrofoam, printing ink
243.8 cm x 60.9 cm
School (printing element)
2017
styrofoam, printing ink
243.8 cm x 60.9 cm
Beach (printing element)
2017
styrofoam, printing ink
150 cm x 60.9 cm
Exhibited at Husslehof in Frankfurt, DE, and realized in cooperation with Leonhardi Kulturprojekte (2016).
This second iteration of Inhale Exile was subtitled “My other father chugged beer from ashtrays.” It included works and documents by: Michael Fernandes, David Hammons, Gareth James, Leisure (Susannah Wesley, Meredith Carruthers), Lee Lozano, Sean Lynch, Steffanie Ling, Anthony McCall, Daniel Olson, Nick Santos Pedro, Alessandro Rolandi, Lawrence Weiner, Norman Rockwell.
See the web PDF of the second Inhale Exile broadsheet.
Exhibited at L’escalier, Montreal, CA, from May 21 to July 16, 2016.
This first iteration of the curatorial project Inhale Exile, subtitled “the break,” consists of two parts: an installation in the space of L’escalier, and a screenings of video works punctuating the run of the exhibition. The smoke break and the discourses and speech acts (rumours, counter-histories) produced there are understood as aesthetic potentialities of smoking culture. In institutional contexts, these breaks have engendered reconfigurations of time and space, the sharing of informal comments or opinions, private thoughts in public.
“The break” included works by: Sean Lynch, Leisure (Susannah Wesley, Meredith Carruthers), Michael Fernandes, Gareth James, Roger Quallen, Alessandro Rolandi, Lawrence Weiner*, Philip Guston*, Richard Prince*, Lee Lozano*, Claire Fontaine*, Hans Haacke*, David Hammons* and screenings of videos by Nina Koennemann, Lee Kit, Erik Blinderman, Steve Carr, Knowles Eddy Knowles, Daniel Olson and Christian Boltanski.
See the web PDF of the first Inhale Exile broadsheet.