Credos IV

CREDOS IV

Credos IV is a book-as-exhibition, the fourth in an ongoing series of displays of artworks that elaborate on notions of belief (see below).  It was launched February 3rd, 2022 at articule artist run centre.
The 5 inch by 8 inch books are 150 pages in black and white with colour inserts. Each comes with handmade hardwood frames, individually covered in textile, which the books can easily slip in and out of (back and front covers offering different choices of image by the painter Mina Hedayat). Credos IV can be hung on a nail or fit on a shelf, and look nice on their own or in clusters. They come in a numbered edition of 200.
With contributions from Lea Cetera, Mina Hedayat, Craig Leonard & Michael Fernandes, Jones Miller, Pak Sheung Chuen, Jeanne Randolph, Alessandro Rolandi, Jamie Ross, and others.
They are priced at $30 and can be found at the following locations, with more distributors forthcoming:

Articule (Montreal)

Art Metropole (Toronto)

Axenéo7 (Gatineau)

Canadian Centre for Architecture bookstore (Montreal)

La Fonderie Darling (Montreal)

Librairie le Port de Tête (Montreal)

Verticale — centre d’artistes (Laval)

Credos is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown, Prince Edward Island, and shown in the frame of the all-day public art festival “Art in the Open” in 2020. An 8-hour online radio program was broadcast alongside the tabletop displays.
Credos IV is also a response to social distance, but at the same time a furthering of an inquiry into the substitutions and translations of an exhibition into non-gallery spaces.

See more about previous editions here.

 

 

published Ferbuary 17th, 2022

 

Inhale Exile, Part 2: mein anderer Vater trank Bier auf Ex aus dem Aschenbecher

Exhibited at Husslehof in Frankfurt, DE, and realized in cooperation with Leonhardi Kulturprojekte (2016).

This second iteration of Inhale Exile was subtitled “My other father chugged beer from ashtrays.” It included works and documents by: Michael Fernandes, David Hammons, Gareth James, Leisure (Susannah Wesley, Meredith Carruthers), Lee Lozano, Sean Lynch, Steffanie Ling, Anthony McCall, Daniel Olson, Nick Santos Pedro, Alessandro Rolandi, Lawrence Weiner, Norman Rockwell.

 

See the web PDF of the second Inhale Exile broadsheet.

Inhale Exile Part 1: The Break

Exhibited at L’escalier, Montreal, CA, from May 21 to July 16, 2016.

This first iteration of the curatorial project Inhale Exile, subtitled “the break,” consists of two parts: an installation in the space of L’escalier, and a screenings of video works punctuating the run of the exhibition. The smoke break and the discourses and speech acts (rumours, counter-histories) produced there are understood as aesthetic potentialities of smoking culture. In institutional contexts, these breaks have engendered reconfigurations of time and space, the sharing of informal comments or opinions, private thoughts in public.

“The break” included works by: Sean Lynch, Leisure (Susannah Wesley, Meredith Carruthers), Michael Fernandes, Gareth James, Roger Quallen, Alessandro Rolandi, Lawrence Weiner*, Philip Guston*, Richard Prince*, Lee Lozano*, Claire Fontaine*, Hans Haacke*, David Hammons* and screenings of videos by Nina Koennemann, Lee Kit, Erik Blinderman, Steve Carr, Knowles Eddy Knowles, Daniel Olson and Christian Boltanski.

See the web PDF of the first Inhale Exile broadsheet.