A review I wrote on SWAMPSTILLS by Alisha Piercy at Centre Clark, Montreal, published in esse journal: http://esse.ca/en/alisha-piercy-centre-clark-montreal
published March 15, 2019
A review I wrote on SWAMPSTILLS by Alisha Piercy at Centre Clark, Montreal, published in esse journal: http://esse.ca/en/alisha-piercy-centre-clark-montreal
published March 15, 2019
Michael Eddy’s review of François Lemieux and Edith Brunette’s 2015 show “Cuts make the Country Better” was included in the electronically circulated journal PDF journal #2 (published November 2015), edited by David Tomas.
This review was awarded runner-up for C Magazine’s 2015 New Critic Award.
published June 26, 2016
(published in Fillip #5, 2007)
With its dark purple walls, broad drapery curbing outside light, and manifold corners isolating objects from each other, even the exhibition’s layout is designed to downplay itself. One must seek out titles and dates in a handout- that is, if one’s dependence on ‘metadata’ is insufferable.
pdf: Taking Down Names
Written 2009, published in Contemporary Art and Investment Magazine, 2010
A neon sign, a crooked fluorescent tube, some glass cases and abusive warnings clumsily taped on the walls; a bag of laundry and books, a case of porno DVDs, a printed out drawing, some balls of tape, a generic painting, and a plant; at first glance PAWNSHOP, a project by Anton Vidokle and Julieta Aranda, who jointly run e-flux, may appear as a handy curatorial concept, using the thematic of pawnshops to assemble a roomful of curious objects.
pdf: PAWNSHOP
For Jon
(2010)
Whether or not this list of artists is considered a representation of “original geniuses,” an implication of starting from their work, and remaking it, is a challenge to authorship, drawn out by virtue of what we might call the remake’s honesty. A remake chooses not to disguise the fact its self-knowledge is based on and owed to other sources. Beginning with an apparently deliberate framing of one’s relationship to art, specifically of one’s normal and daily research of art history, the scouring of books and information assumes a democratic starting point. The artist is a student for life.
pdf: remake